May 21, 2013
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L.A. may30-june5

i already asked twitter but i want to ask tumblr also

what should i do in L.A. from may 30 — june 5?

i’ve never been there before ~ 

May 20, 2013
1 note
I think twins have that tendency to let their identities sort of intertwine and some people really feel comfortable with that and others sort of reject it. We’ve had moments of both, but our interests were always similar and we were able to help each other learn how to play our instruments without even really knowing it. It’s always been cool—lots of bickering, but also a lot of great collaborating.
kt crutchfield 2 rookie
May 20, 2013
8 notes

i’ve been listening to the modern lovers a lot lately, singing “i’m in luv with massachusetts” in my head while walking around cambridge. i’ve been spending my time almost exclusively in harvard sq, central sq, & somerville. it is unreal in boston how drastically the entire mood of the city changes once the weather is more bearable

May 16, 2013
3 notes

research

very specific question

i’m looking for examples of songs that come across as odd/offensive without high context and/or songs where the artist’s politics are only truly understood w/ high context 

help?

May 16, 2013
0 notes

#SOS

when i was in new york a mouse died in my bag of interview transcripts from the past 2 years 

May 16, 2013
57 notes

Mark Richardson: The Music Writer's Code

markrichardson:

If, when casually speaking with someone, you state an idea about a new record that your conversation partner might also be reviewing, you realize that this person might steal your idea for his/her review. If you are worried about your idea being stolen, you don’t share it in private conversation…

as someone who has had a “big idea” for an article completely ripped off from me on more than one occasion (music + non-music pieces) i’m tempted to say “trust no one” but also at the same time part of me wants to say “rip off everyone’s ideas / let everyone rip off your ideas” because in the end the concept of “ownership over an idea” is also pretty funny to me. if your perspective is truly original it cannot be stolen. if it’s so easy for someone else to articulate it probably wasn’t that original of an idea to begin with. 

definitely agreeing here w/ mark’s post/point that you shouldn’t bring up ideas unless you are cool with people riffing on them and/or straight-up stealing them … but also don’t think it’s as problematic as some other people who have commented/reblogged below 

May 15, 2013
360 notes
May 11, 2013
8 notes




The Media: In your Monday piece [on the Marathon bombings], you wrote, “The state agents who I’ve slammed for years – they’re suddenly all heroes.” How do you deal with folks who you know have done terrible things in the past suddenly being treated like heroes, without coming off as totally insensitive in these situations? Chris Faraone: When it comes to the Boston police, the last thing I’m worried about is being insensitive. Because if we’re going to talk about insensitivity, they should be the first ones we bring up: long-running institutional bigotry, racist hiring practices, the beating and killing of minorities, you name it. There’s a case to be made that they’re the city’s biggest gang – that they’re bigger terrorists than the Tsarnaevs ever were. The same goes for District Attorney Dan Conley who, despite having nothing to do with prosecuting these cases, had his mug up on the podium every chance he got during press conferences. By and large, they’re not heroes. They’re a collective menace to Boston, and to society.And the feds too. I’m not sure if an informant pushed the shithead brothers into doing this – I’m sure we’ll know soon enough – but it’s a common practice, as we saw with Brandon Darby at the Republican National Convention, and with the set-up at Occupy Cleveland. Anyone who’s not familiar with those situations should read about them. It will get you thinking about who our heroes are and aren’t.  My heroes don’t wear badges, or carry guns. If there were heroes here, they were the medics and civilians who helped people on the scene, and the people who have donated money so that those who were injured but don’t have health insurance won’t get assaulted again – the second time by hospital bills. That reminds me – I can’t wait and see how much medical crooks will make off of the bombings. Makes me want to puke. 




From my interview with former Boston Phoenix staff writer Chris Faraone, who covered the Boston Marathon bombings comprehensively, providing a critical, alternative, local voice amidst all the corporate national mainstream media who descended on Boston that week. Read the entire interview here alongside two beautiful illustrations by Faye Orlove.

The Media: In your Monday piece [on the Marathon bombings], you wrote, “The state agents who I’ve slammed for years – they’re suddenly all heroes.” How do you deal with folks who you know have done terrible things in the past suddenly being treated like heroes, without coming off as totally insensitive in these situations?

Chris Faraone: When it comes to the Boston police, the last thing I’m worried about is being insensitive. Because if we’re going to talk about insensitivity, they should be the first ones we bring up: long-running institutional bigotry, racist hiring practices, the beating and killing of minorities, you name it. There’s a case to be made that they’re the city’s biggest gang – that they’re bigger terrorists than the Tsarnaevs ever were. The same goes for District Attorney Dan Conley who, despite having nothing to do with prosecuting these cases, had his mug up on the podium every chance he got during press conferences. By and large, they’re not heroes. They’re a collective menace to Boston, and to society.

And the feds too. I’m not sure if an informant pushed the shithead brothers into doing this – I’m sure we’ll know soon enough – but it’s a common practice, as we saw with Brandon Darby at the Republican National Convention, and with the set-up at Occupy Cleveland. Anyone who’s not familiar with those situations should read about them. It will get you thinking about who our heroes are and aren’t.  

My heroes don’t wear badges, or carry guns. If there were heroes here, they were the medics and civilians who helped people on the scene, and the people who have donated money so that those who were injured but don’t have health insurance won’t get assaulted again – the second time by hospital bills. That reminds me – I can’t wait and see how much medical crooks will make off of the bombings. Makes me want to puke. 

From my interview with former Boston Phoenix staff writer Chris Faraone, who covered the Boston Marathon bombings comprehensively, providing a critical, alternative, local voice amidst all the corporate national mainstream media who descended on Boston that week. 

Read the entire interview here alongside two beautiful illustrations by Faye Orlove.

May 9, 2013
85 notes
—This is 2NIGHT—

—This is 2NIGHT—

(Source: resilientbastarrd)

May 5, 2013
1 note
The circumstances under which Hill’s new music is surfacing certainly speak to the content of the song. Here Hill is rapping about how the world is too fast and commerce-driven. And here is the music industry giving her more reasons to keep preaching.
wrote some words about the new Lauryn Hill song for Stereogum
May 3, 2013
19 notes
The Media’s calendar for May 2013“There is no database, no CMS, no comments.  The calendar is a JPG of a hand-drawn calendar.  One upshot of this: it is not searchable.  It is a return to the time when once you threw out last week’s copy of the altweekly, it became impossible (or at least extremely time-consuming) to find that article again; the only memory was your own memory.   That can be a kind of commentary about what’s important: and what’s important is what’s in front of you right now.”—Lisa Williams on “Data for Radicals” yesterday (so kool) 

The Media’s calendar for May 2013

“There is no database, no CMS, no comments.  The calendar is a JPG of a hand-drawn calendar.  One upshot of this: it is not searchable.  It is a return to the time when once you threw out last week’s copy of the altweekly, it became impossible (or at least extremely time-consuming) to find that article again; the only memory was your own memory.   That can be a kind of commentary about what’s important: and what’s important is what’s in front of you right now.”
—Lisa Williams on “Data for Radicals” yesterday (so kool) 

May 3, 2013
8 notes

about Faye Orlove and also the word “fvck”

dear internet,

i am so grateful for the overwhelming support and kind words everyone has shared over the past 2 days in regards to The Media. thank you so much!! i can’t even wrap my head around how psyched i am about this … we finished mocking up the second issue today (out May 10th) and it is going to be super radical and i am srsly bursting w/ excitement about this whole thing. i just want to quickly point out two little things that people keep getting wrong in blog posts/tweets/etc about the publication:

1- the Media was launched by myself and Faye Orlove. most people are writing things like, “former Phoenix asst. music editor Liz Pelly starts alt-weekly” or “The Media was launched by Liz Pelly”  … Faye played just as much of a role in creating this as i did — from the first brainstorming sesh it was always a joint effort and she should get just as much credit ;) Faye is one of my closest friends in the world and an amazing artist and books really awesome shows under the moniker “Resilient Bstrd” which rules b/c it is an allusion to a Shellshag song. if you are not following her on Tumblr and Twitter already - you should (also shout out to her brother Matt for being The Best and traveling from virginia to boston last weekend to develop the site w/ us over 48 nearly-sleepless hours  … also shout out to jenn pelly for copy editing the thing and making me sound better)

2 - many people are referring to this publication as “Fvck The Media” but the name of the publication is simply “The Media” …  ”fvckthemedia” is just what we decided to make our URL and Twitter handle because “The Media” was taken and we thought it was funny

-thanks again for caring-

<3lp 

May 1, 2013
3 notes
The Media is an immigrant song, I think: it’s the noise made on the way from an old home to a new place. Echoes of the old things, flashes of new promises. It’s a reflection of what happened to be possible - because nobody wanted the thing to end but it did.

from “Immigrant Songs” by Carly Carioli // issue 1 of “The Media”

this piece crushes me every time i read it but i can’t stop reading it over & over & over

May 1, 2013
12 notes
This is live now // click to read my intro piece

This is live now // click to read my intro piece

Apr 30, 2013
71 notes
this is a new projectFaye Orlove &amp; I have been working on it for the past month or soit launches tonight around midnightwe are very excited if you want to know why it&#8217;s called &#8220;The Media&#8221; i will talk your ear off about it sometime how about @ our launch party? it&#8217;s this Friday @ Lorem Ipsum Books in Cambridge

this is a new project

Faye Orlove & I have been working on it for the past month or so

it launches tonight around midnight

we are very excited 

if you want to know why it’s called “The Media” i will talk your ear off about it sometime 

how about @ our launch party? it’s this Friday @ Lorem Ipsum Books in Cambridge

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